Architectural Colour Composition
We are talking with the owners of a new penthouse apartment in southern Germany, who give us an insight into their colour concept.
"The walls and ceilings of the entire apartment were initially designed in white. We have nothing against white, but we want more colour, colours of nature. How do we design our new home with colours that will make us feel comfortable and how do we manage not doing it wrong? In our research, we came across the colours of Le Corbusier. We are dealing with Architectural Polychromy and picture our way of thinking in colour effects:
- A Mediterranean atmosphere for the large room – which includes living, dining room and kitchen.
- Ease and expand spaces and feel water, sky, infinity.
- Arouse stimulating emotions through individual colour accents.
- Integrate in the colour scheme numerous switches and sockets.
Meanwhile, we live in the apartment, feel very comfortable and are glad that our visitors feel impressed too."
"All of us, according to our taste and reactions, favour one or more dominating schemes of colour. Each individual is drawn towards some particular harmony which seems to accord with his innert feelings. The practical difficulty is to show colours in such a way that the individual can detect his own “affinity“. And this is why the “Colour Key-boards” have been invented. [...] In my opinion they offer a method of approach which ia accurate and effective, one which makes it possible to plan, in the modern home, colour harmonies which are definitely architectural and yet suited to the natural taste and needs of the individual."
The two walls in the entrance and the kitchen are designed in 32131 ombre brûlée claire.
The reddish-brown Umbra nuance stabilizes itself in the room, unfolds a sandy space effect and has – as a background colour – the gift to make surrounding and adjacent objects appear more present.
32060 ocre gives the wall of the contiguous dining area character – sandy, warm and restrained elegant. The light ocher nuance awakens associations with sand, beach and sun.
Instead of white, the ceilings of the entire apartment receive this restrained blue-grey hue. The light ultramarine blue has a soothing effect and creates sentiments of water and sky.
32090 rouge vermillon 31
The deep dynamic red. Or the luminescent vermillon red. The wall in 32090 rouge vermillon 31 emerges and has a stimulating effect.
Le Corbusier uses this vibrant red most frequently as a combination colour in his colour keyboards. Again, the other walls of the room receive the colour 32001 blanc - the cream white.
By repetition of the colour of an adjacent wall