The colour keyboards of 1959
- 4320A
rouge vermillon 59 - 4320B
blanc ivoire - 4320C
rose vif - 4320D
terre sienne brûlée 59 - 4320E
noir d'ivoire - 4320F
vert olive vif - 4320G
vert 59 - 4320H
gris 59 - 4320J
terre d'ombre brûlée 59 - 4320K
bleu outremer 59 - 4320L
ocre jaune clair - 4320M
le rubis - 4320N
bleu céruléen 59 - 4320O
gris clair 59 - 4320P
terre sienne claire 59 - 4320R
ombre naturelle 59 - 4320S
orange vif - 4320T
bleu outremer foncé - 4320U
gris foncé 59 - 4320W
le jaune vif
- 4320A
rouge vermillon 59 - 4320B
blanc ivoire - 4320C
rose vif - 4320D
terre sienne brûlée 59 - 4320E
noir d'ivoire - 4320F
vert olive vif - 4320G
vert 59 - 4320H
gris 59 - 4320J
terre d'ombre brûlée 59 - 4320K
bleu outremer 59 - 4320L
ocre jaune clair - 4320M
le rubis - 4320N
bleu céruléen 59 - 4320O
gris clair 59 - 4320P
terre sienne claire 59 - 4320R
ombre naturelle 59 - 4320S
orange vif - 4320T
bleu outremer foncé - 4320U
gris foncé 59 - 4320W
le jaune vif
The colour keyboard shown above represents a digital interpretation of Le Corbusier's original colour keyboard. Use the arrows above the colour boxes to create the perfect colour harmony, with up to four combination colours.
In 1959, Le Corbusier expanded the Architectural Polychromy with 20 stronger colours and an additional impressive colour keyboard. The combination of colourful and achromatic hues and different brightness values underlines the exceptional experience of Le Corbusier in architecture and as a painter, which forms the foundation of the entire Architectural Polychromy.
